Alexandre Dumas is a writer, and his life is a topic, of which his devotees never weary. Indeed, one lifetime is not long enough wherein to tire of them. The long days and years of Hilpa and Shalum, in Addison the antediluvian age, when a picnic lasted for half a century and a courtship for two hundred years, might have sufficed for an exhaustive study of Dumas. No such study have I to offer, in the brief seasons of our perishable days. I own that I have not read, and do not, in the circumstances, expect to read, all of Dumas, nor even the greater part of his thousand volumes.

We only dip a cup in that sparkling spring, and drink, and go on, we cannot hope to exhaust the fountain, nor to carry away with us the well itself. It is but a word of gratitude and delight that we can say to the heroic and indomitable master, only an ave of friendship that we can call across the bourne to the shade of the Porthos of fiction. That his works (his best works) should be even still more widely circulated than they are; that the young should read them, and learn frankness, kindness, generosity should esteem the tender heart, and the gay, invincible wit; that the old should read them again, and find forgetfulness of trouble, and taste the anodyne of dreams, that is what we desire. 

Dumas said of himself ("Memoires," v. 13) that when he was young he tried several times to read forbidden books books that are sold sous le manteau. But he never got farther than the tenth page, in the

"scrofulous French novel On gray paper with blunt type;"

he never made his way so far as

"the woful sixteenth print."